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	<title>Valerie Steele Fashion &#187; Articles</title>
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	<link>http://valeriesteelefashion.com/blog</link>
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		<title>Selected Articles</title>
		<link>http://valeriesteelefashion.com/blog/selected-articles/</link>
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		<pubDate>Mon, 28 Jan 2008 20:20:39 +0000</pubDate>
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		<description><![CDATA[&#8220;Costume and Fashion,&#8221; in Hollywood Costume, edited by Deborah Nadoolman Landis. (London: V&#38;A Publications, 2012) &#8220;Édouard Manet: Nana&#8221; in Impressionism, Fashion &#38; Modernity, edited by Gloria Groom. (The Art Institute of Chicago and Yale University Press, 2012) &#8220;Fashion&#8221; in Fashion and Art, edited by Adam Geczy and Vicki Karaminas. (London and New York: Berg, 2012) [...]]]></description>
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<li>&#8220;Costume and Fashion,&#8221; in <em>Hollywood Costume</em>, edited by Deborah Nadoolman Landis. (London: V&amp;A Publications, 2012)</li>
<li>&#8220;Édouard Manet: <em>Nana</em>&#8221; in <em>Impressionism, Fashion &amp; Modernity</em>, edited by Gloria Groom. (The Art Institute of Chicago and Yale University Press, 2012)</li>
<li>&#8220;Fashion&#8221; in <em>Fashion and Art</em>, edited by Adam Geczy and Vicki Karaminas. (London and New York: Berg, 2012)</li>
<li>&#8220;Fashion Prescribes the Ritual,&#8221; in <em>Walter Van Bierendonck: Dream the World Awake</em>, (Tielt, Belgium: Lannoo and the Mode Museum, 2011)</li>
<li>&#8220;Leigh Bowery,&#8221; in <em>Not a Toy</em>, edited by Vassilis Zidianakis (Berlin: Pictoplasm, 2011)</li>
<li>&#8220;Artificial Beauty,&#8221; in <em>The Fashion History Reader: Global Perspectives</em>, edited by Giorgio Riello and Peter McNeil (New York: Routledge, 2010)</li>
<li>&#8220;Introduction&#8221; <em>Roxanne Lowitt: Backstage Dior</em>, (Kempen, Paris, New York: teNeues, 2010)</li>
<li>&#8220;Marc Jacobs&#8221; in <em>Louis Vuitton: Art, Fashion and Architecture</em>, (NY: Rizzoli, 2009)</li>
<li>“Abstraction and the Avant-Garde,” in <em>Fashion Body Cult</em>, edited by Elke Bippus and Dorothea Mink (Stuttgart: Arnoldsche Art Publishers, 2007)</li>
<li>“Military Style,” <em>Vogue Italia </em>(November, 2006)</li>
<li>“Shoes and the Erotic Imagination,” in <em>Shoes: A History from Sandals to Sneakers</em>, edited by Giorgio Riello and Peter McNeil (Oxford: Berg, 2006)</li>
<li>“The New Power Look,” <em>Harpers Bazaar</em> (September, 2006)</li>
<li>&#8220;Fashion and Glamour,&#8221; in <em>Glamour, Fabricating Affluence</em> (New Haven and London: Yale University Press in conjunction with the San Francisco Museum of Modern Art, 2004)</li>
<li>“The Corset” and “Monuments for Certain Ideas: Valerie Steele Talks to Hussein Chalayan,” in José Teunissen and Jan Brand, eds. <em>The Ideal Woman </em>(Amsterdam: SUN Publishers, 2004).</li>
<li>&#8220;Femme Fatale: Fashion and Visual Culture in Fin-de-Siècle Paris,&#8221; <em>Fashion Theory: The Journal of Dress, Body &amp; Culture</em> (September, 2004)</li>
<li>&#8220;A Supermodern Style,&#8221; in <em>Yeohlee: Work. Material Architecture</em> (Victoria: The Images Publishing Group, 2003)</li>
<li>“Style in Revolt,” in <em>Radical Fashion</em> (London: Victoria &amp; Albert Museum, 2001)</li>
<li><em>Messengers Style</em>.  Text by Valerie Steele. Photographs by Philippe Bialobos (New York and Paris: Editions Assouline, 2000)</li>
<li>“Armani, Fashion and Film,” in <em>Giorgio Armani</em> (New York: Guggenheim Museum, 2000)</li>
<li>“Women Fashioning American Fashion, 1900-2000,” in Pat Kirkham, ed., <em>Women Designers in the USA, 1900-2000: Diversity and Difference</em> (New Haven: Yale University Press and Bard Graduate Center, 2000)</li>
<li>“Fashion: Yesterday, Today, and Tomorrow” in Nicola White and Ian Griffiths, ed., <em>The Fashion Business: Theory, Practice, Image</em> (Oxford: Berg, 2000)</li>
<li>“Jean Paul Gaultier,” in Gerda Buxbaum, ed., <em>Icons of Fashion: The 20th Century </em>(Munich, London, New York: Prestel, 2000)</li>
<li>“Fashioning Masculinity,” in Giannino Malossi, ed., <em>Material Man: Masculinity, Sexuality, Style </em>(New York: Abrams, 1999)</li>
<li>“The Italian Look,” in <em>Volare: The Icon of Italy in Global Pop Culture </em>edited by Giannino Malossi  (New York: Monicelli Press, 1999).</li>
<li>“A Museum of Fashion Is More Than a Clothes-Bag,” <em>Fashion Theory</em> vol.2 issue 4  (December. 1998)</li>
<li><em>Barbie Millicent Roberts: An Original </em>(New York: Pantheon, 1998). Text by Valerie Steele. Photographs by David Levinthal.</li>
<li>“Why People Hate Fashion,” in <em>The Style Engine</em> edited by Giannino Malossi (New York: Monacelli, 1998).</li>
<li>&#8220;McCardell’s American Look.,” Introduction to <em>Claire McCardell: Redefining Modernism</em> by Kohle Yohannan (New York: Abrams, 1998).</li>
<li>&#8220;Le Corset: A Material Culture Analysis of a Deluxe French Book,&#8221; <em>The Yale Journal of Criticism</em> (Fall, 1997)</li>
<li>&#8220;Surgical Spirit,&#8221; <em>The Sunday Times</em> (London), November 12, 1995.</li>
<li>&#8220;Sieg des Fetisch,&#8221; <em>Deutsch Vogue</em> (May, 1995).</li>
<li>&#8220;Jacques Fath,&#8221; &#8220;Martin Margiela,&#8221; &#8220;Jil Sander,&#8221; &#8220;Sybilla,&#8221; &#8220;Isabel Toledo,&#8221; and &#8220;Vivienne Westwood,&#8221; in <em>Contemporary Fashion</em>, ed. Richard Martin (London: St. James Press, 1995). Revised edition with Forward by Valerie Steele.</li>
<li><em>Art, Design, and Barbie: The Making of a Cultural Icon</em> Text by Valerie Steele. (New York: Rizzoli, 1995).</li>
<li>“Italian Fashion, 1943-1968,&#8221; in <em>The Italian Metamorphosis</em>, 1943-1968 (New York: Solomon R. Guggenheim Museum, 1994).</li>
<li>&#8220;Calvinism Uncovered,&#8221; <em>Design Quarterly</em> (December, 1992).</li>
<li>&#8220;Paint it Black,&#8221; <em>View on Color</em> (Paris, October, 1992).</li>
<li>&#8220;Chanel in Context&#8221; in <em>Chic Thrills: A Fashion Reader</em>, ed. Juliet Ash and Elizabeth Wilson (London and New York: Pandora/Harper Collins, 1992; paperback published by The University of California Press).</li>
<li>&#8220;Erotic Allure&#8221; in <em>The Idealizing Vision: The Art of Fashion Photography</em>, ed. Andrew Wilkes (New York: Aperture, 1991). Also published in the magazine Aperture.</li>
<li>&#8220;The F Word,&#8221; <em>Lingua Franca</em> (April, 1991)</li>
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